Podcasts




Children's reading of a healthy person

Duration: 0:41:17

The editors of "Shelf" discuss their personal stories and rationalization proposals . Is it possible to read The Wizard of Oz and Hesse at the same time? Should books that are too old be removed from children? How to shovel the school curriculum in literature and add "Harry Potter" there?


We will remember it

Duration: 0:45:45

"Shelf" discusses the work of literary memory: how the authors of memoirs preserve the details of literary life and what it means to "lie like an eyewitness" in relation to texts about Akhmatova and Mandelstam, Mayakovsky and Yesenin . How do some memoirists create myths about great writers, while others debunk these myths?


Gogol and emptiness

Duration: 0:28:52

The editors of Polkka are sorting it out 210 years since the birth of the great author . Gogol's works have been perceived over the past 150 years in completely different ways.


VGS vs Air Defense

Duration: 0:37:04

Viktor Pelevin and Vladimir Sorokin are one of the stable couples, "eternal companions" of Russian literature . The editors of "Shelf" discussed "The Invincible Sun" and "Russian Folk Proverbs and Sayings" Sorokin's folklore .


Idleness that is always with you

Duration: 0:33:44

Polk podcast revisits how Russian literature speaks of idleness . From the blissful bliss of romantic poets to the pathological inactivity of Oblomov . From moralizing verses of Marshak and Barto to the real trial of the "parasite" Brodsky .


Dust in your eyes

Duration: 0:26:08

Varvara Babitskaya, Lev Oborin, Polina Ryzhova and Yuri Saprykin talk about Russian classical literature . They say Tolstoy and Dostoyevsky are boring, boring, it's a "dusty yesterday"; it's not for us and not about today? Is it possible to make interesting old books that are boring?


Intimate Man

Duration: 0:31:56

To the 120th anniversary of Andrei Platonov, Polk editors Varvara Babitskaya, Lev Oborin, Polina Ryzhova and Yuri Saprykin are discussing . Why do his books look more modern today than ever? Is he a Soviet writer? And what is the Soviet project for him? What is the peculiarity and strangeness of his language?


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