Yalla Culture - Episode 16 - The Maestro
Welcome to episode 16 of Yalla Thaqafa. In today's episode, we will answer some questions. The first question is: what does the man standing in front of the orchestra, holding a baton and showing his back, need? The second question is: what does the baton signify? The third question is: who moves his hands right and left? And the fourth question is: who are the most famous figures in this field that today's episode is about the maestro? The word "maestro" is Italian and means master or leader, indicating a leadership quality in the person in the middle of the hub. Renowned German composer Richard Wagner, who was an orchestra conductor, said the most important thing a conductor does is maintain the speed and harmony of the music. All the musicians present keep in mind the composer they torture and beat to death. Alone with each other, what is the role of the maestro committee? In an orchestra hall with over 50 musicians who can reach up to a hundred players, for example, place a violinist on the far left. Ask him what he wants in the counterbass film. On the other side, you may find environmental musicians like pure or in front of pure, depending on the rhythm players if any of them know when to start. However, if one of them starts early, whether it is a year or late, what will happen in the orchestra's work because it is supposed to bring out the creature and the sound as one. But what will happen if one gets up early and another is sorry or starts earlier or in the morning? And if the second one needed someone all the musicians saw him and followed behind. But isn't that it? Isn't that everything, even if, for example, heard my own cut or the symphony more than once and from more than one source, we have to find the difference or whether it is a slight difference that expresses the maestro's personal vision of the work? Then what will happen if everyone has a vision of the work they are playing with their own view? Will it be chaos? The movement of the baton always be like as the communication language between me and the musicians in the buildings, for example, in the tunes, the stick in their hands, the left hand and the right stick, are known to determine the speed and harmony of the music played on the oboe. For example, a maestro like Nader Abbasi in Egypt uses hand gestures primarily and the baton they use is only for show with hand movements.