Yalla Culture - Episode 08 - Magical Realism
Welcome to episode eight of Yalla Fekra! Today, we will be talking about magical realism in literature. Magical realism and realism never meet. So, what brought these two together? Let's start from the beginning. Common knowledge suggests that magical realism emerged in literature or is specifically present in literature, but this is incorrect. It is closely linked to Latin America rather than the Arab world. In fact, in the 1920s in Germany, there was an exhibition on the New Objectivity. The term magical realism was coined by Latin American authors, such as Isabel Allende from Chile, Salman Rushdie from India, and Gabriel Garcia Marquez from Colombia. Marquez, in particular, gained fame for his novel "One Hundred Years of Solitude." He even won the Nobel Prize in Literature in 1982. Other notable authors in this style include Haruki Murakami from Japan and Naguib Mahfouz from Egypt. So, what can bring together realism and fantasy in a narrative? A novel that combines elements of both can seem quite ordinary with a touch of imagination or fantasy. It can feel like watching a movie or living an ordinary life suddenly filled with magical occurrences. The debate between critics about magical realism continues. The boundaries of magical realism are not clear, making it difficult to define and categorize. In conclusion, the term magical realism originated in Germany and was later adopted in literature. However, as different authors began using it, the definition became blurry. Magical realism combines realism with elements of fantasy, blurring the lines between reality and imagination. It's a clash where it's hard to distinguish what is real and what is magical. Ultimately, magical realism remains a unique and captivating genre.